Monday, October 13, 2008

Lets start with this

Without a configured idea of where or how to start, I decided to post the following poem.
One of my favorites and I specially like looking at this from the new criticism point of view. New Criticism is a structuralist school of thought that looks at thematic binaries. Again thematic binaries are important or significant for a lyric poem, because it has to do justice to the reader who invests attention.
Jonathan Culler, a structuralist gave Theme and Epiphany to be among the conventions for a poem to be a lyric. But outside these structures, the binaries in this poem are inspiring and give us a better understanding of the different ways of conjuring poetry.
The poem is The Journey of the Magi by T.S. Eliot.
The recognisable binaries are:
1. Pain and Pleasure
2. Birth and Death
3. Doubt and Faith
4. Reality and Appreance
5. Onward and Return Journey
6. Old and new Dispensation

Please post your observations on this poem.

The Journey Of the Magi
'A cold coming we had of it,
Just the worst time of the year
For the journey, and such a long journey:
The ways deep and the weather sharp,
The very dead of winter.'
And the camels galled, sore-footed, refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the terraces,
And the silken girls bringing sherbet.
Then the camel men cursing and grumbling
And running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly
And the villages dirty and charging high prices:
A hard time we had of it.
At the end we preferred to travel all night,
Sleeping in snatches,
With the voices singing in our ears, saying
That this was all folly.
Then at dawn we came down to a temperate valley,
Wet, below the snow line, smelling of vegetation;
With a running stream and a water-mill beating the darkness,
And three trees on the low sky,
And an old white horse galloped away in the meadow.
Then we came to a tavern with vine-leaves over the lintel,
Six hands at an open door dicing for pieces of silver,
And feet kicking the empty wine-skins,
But there was no information, and so we continued
And arrived at evening, not a moment too soon
Finding the place; it was (you may say) satisfactory
All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death,
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.
-- T. S. Eliot

1 comment:

Rama Lekshman said...

otiose concept but well-written on modernism.

liked his 'Portrait of a Lady'. its more than 5 bottles of beer.